literary beings,

if you implore I can talk
not of that kind of love,
where we would become streets and lanes,
crossing each other like a tedious argument,
instead let me recite that love song
where tears of human race belong,
and human happiness too -
in finding Galapagos island;

and you will refer to Lazarus,
as your source of inspiration,
someone who can turn you to Epiphany,
you will talk of that occurance at Bethany,

from there you would begin perhaps
your writing of a poetic fiction, a verse,
you would say that was all you wanted to write,
you would talk of sobs that made watermarks on your pillow,
and I would say, people just come and go,
you would ask if they were like Michelangelo;

then there would be a pause,
you would try to find a cause,
and put it into a way to make
your statement of saying nothing,
your dearest possession, a stream,
that had rolled down the hills
and mountains to the plains,
your lyrical offering, to all who disdain
kindness and human oaths,
you would sing, love in your throat,
for all,making no discrimination,
you would become a boat,
and sail away guided by the flow,
you would just away go,

and I would say
people just come and go,
and you will ask
if they were Michelangelo;

I would talk of Prometheus,
and John Lennon and Beatles,
and would place flowers in bulletholes
as my tribute to friends, and to those
who had learnt to fight till the end,
risking death every moment,

you would ask if I have of late
grown a liking to any poet,

my answer would be an affirmation,

'Eliot, Donne, Browning, Tagore?'

'That could be a lethal combination'

'what's that then? who that could be?'

'no one, as such, between you and me'

from there we would turn to words,
from there we would become humanists,
you would talk of Renaissance, Yeats,
I would of paintings on the streets.

Dubliners, a leitmotif

                    I

It would have been perhaps
that part of a dusk
taken like a leaf out
from that vivid 'Dubliners',

                    II

there were no memoirs Irish
no forms of imperial gossip,
eastern guards they were not there,

                    III

only it seemed as it were
to say something
for some people to hear,
and for someone to let out
all that were kept like doubts,

                    IV

a lot can happen over talks,
wars, and our pieces too
broken and missed up cues,
bread, spinach green,
cold coffee , strawberry cream,

                         V

everything just over talks,
talks peppered with mustard sauce,
and forks resting beside knives,
cutlery exotic, plastic swipes,

                          VI

and then posters hanging on the wall
Stephen there about to weep for a girl,
a little flower claiming possibility
in crystal vase, stored for antiquity,

                          VII

have they all become metropolitan?
smart, clicking heels, stamping boots,
crumpled scrolls of unspoken truth,

                          VIII
Stephen remembered the poem recited
by his uncle in a drunken state,
to his aunt about something patriotic,
love for the land, in a tone charismatic,

                    
                            IX

the wheels moved at slumbering pace
passing posts making misty trace
on window firmly shuttered down,
it was a faraway town,

                             X

the sound of florins on the floor
making jingling noise broke the stupor,
'Dubliners' there on the table kept,
turned into a motif leit.

('Dubliners' is a collection of short stories by James Joyce, )

                           

the family photograph

'say cheese!' the man behind the lens
asked the assembly to flash grins,
and all of them did so in the sense
they tried their respective best,

the grandpa in the middle had no teeth
so he flashed his gums vacant and still,
granny beside him took a breath
and so her face looked a bit grave,

and the eldest son having arthritis
shook his right knee by his hand to ease
the standing posture,his wife beside him
was thinking about the chilli paste left
in the sink, her face had that hurried look,

their son back from college had a book
in his hand which he was not willing to keep
anywhere lest his younger sis would take a leap
for it and would take it away with her to Jersey,

the second eldest son, still a bachelor,a musician
was probably thinking the middle portion
of a song which he downloaded courtesy
the electronic device that he possessed recently,
so his face looked composed and calm,

just beside him his niece returning from Greece,
held an artefact resembling a bow with strings,
she insisted to pose with that for it would bring
a touch of verisimilitude to the snapshot,
personification of a tourist with a spot,

her brother, the youngest in the scene,
was sandwiched between his mother and aunt,
looking pacified after crying over a bottle of jam,
he held a toy of a gun in his palm,

his uncle, the husband of aunt had a band
in his arm expressing solidarity with those
killed and wounded somewhere in a Pacific coast,

the aunt from Hazaribagh on a visit
squeezed her not so slim figure into the frame,
she,  having the taste definitive a bit
held a paperback with a flashy name,

her only daughter with a habit of dozing off
anywhere anytime if kept idle,
almost to a quick nap momentarily dropped
leaning her head on her mother's lap,

grandpa's butler cum masseur cum errand man
was the lone figure sitting on the ground and ,
he held the pipe of the hookah perfunctorily-
not to smoke but to indicate his glee
in keeping everything grandpa owned
as part of his little acclaimed luxury,

at the far right sat the family's pride
the big furry alsatian, after a Persian
monarch named, who tried to hide
the bone he stole from kitchen,
not so long since then,

all these to put flippantly
made the portrait of the family.

remnants

'The last time we came to the place
they with curd and pickles us served
at the end ,when we're about to close
our little talks with a lot of faith,'
Sweta while chewing a cardamom seed, said,

'The last time an afternoon it was
the road outside had fewer cars
and sitting beside the glass wall
we had had our moments just,'
Ornob recalled,somewhat lugubrious,

Tomorrow would be the end
of the vacation and they would be
to their own respective worlds sent,
Sweta would be busy with her works
And Ornob too would forget the talks,

'what would remain between us?'
Sweta suddenly asked
breaking the beauty of the pause
that kept the two in succulent thoughts,

'all these perhaps, like postcards,
or sildes neatly preserved,'
Ornob replied, fully convinced
of how memory works, what it stores,
what it connotes, what it means,

'ah! that's like we are then
two persons in a memory lane...'
Sweta heaved a half sigh
the other half not expressed,
Ornob just smiled, keeping things unsaid,

'you got nothing to say?
now that we would go each other's way
you would take the route to south
and I would to some western port go
where would I sit by that beautiful Seine
and throw the keys of our very own lane
into the water that bore all the pains
and happiness of people like us
who had spent nights by counting stars
and days who measured in dimes and farce?'
Sweta asked Ornob or was it really
for him to answer such a query?

Perhaps not, for Sweta looked at him
and asked if they could go a few yards, walking,

'The last walk together?' Ornob joked,

'no, for I am not that much haughty
like that mistress in that monologue'

'yes, and we are always in some sort
of a conversation, I mean, dialogue'

the two laughed as they started the walk,
it was invariably the full moon night,
late evening, the last week of a spring;

'how many years have passed
Sweta asked, 'since we've met?'

'since Seth wrote that Golden Gate?'
Ornob chuckled, smile on his lips
'you're such such....' Sweta fumbled for words,
'moron' 'that's the word for me to keep'
He added to make her more equipped,

She laughed heartily, 'as you yourself talked of Golden Gate,
I think you're very much like man in there, bred,
who swore by the Beatles and Pink Floyd
and noted how trees become in autumn void,'

'you make excellent observations
only that those are beyond my station,
now that we are walking the last of its kind
why not we say something more refined?'

'what tell me, are the refined things?
literary escapes or drinking binge?
what is that ,that can be called the best
who are the plebeians and who are the blessed?'

'tell me something about Seine
how it flows, in your veins?
what people do there on holidays?
do fishermen sail their boats like here on Ganges?'

'people sit on the benches there
and talk about Cognac and Baudelaire
and those who are too much of a believer
they throw silver keys right into the river,
and there is also a flea market near
people throng to buy cheap saucepans there
sometimes they buy hairpins too
with which they tie their lost billetdoux...'

'and what there do you care to do?'

'I just go there and sit with ease
and try to catch the ballads in the breeze
sung by urchins who collect coins in hats-
their tones running sharp and falling flat,
I listen to the stories as they sing
of maidens poor marrying kings
and of men dressed up like harlequins
creating comedy in postwar ruins...'

'what a way you pass your day
by the Seine as you please you may...'
Ornob said as they came to the point
from where they were to part their ways,

'see you' Sweta said before boarding a bus,
they were at the big terminus,
Ornob nodded and waved at her
and smiled thinking how soon
they would be away from each other,

'what would remain?' thought he
while the bus took Sweta away
just like another slide of a perfect memory.

somewhere tucked away

About a decade and half
                         must have passed through in between
when one day the man
                          arrived at his town one wintry evening,
the bus stop where
                          he got down with his sack was not the same,
for he found there
                          no more that homegrown feel of a small town
the rows of deodars
                           were not there too and the road seemed full
of people not known
                           'where had that house gone to?' he thought
from the porch of which
                             there hung coils of ivy in poesy wrought,
thinking all these
                             the man walked the road till he stopped
in front of a little
                               cosy looking bustling coffeeshop,
at the counter
                            there was a man he thought did he know
for he had that cut
                           on his forehead just over his left brow,
'You have grown old'
                           was the first thing that he said to the man
who looked up
                           with curious eyes and disbelief in his mind,
'you? our own Ayush?'
                             the man lunged forward to him greet,
his hands he held
                            and their eyes glistened quiet as they did meet,
'after so many years,
                            how come here mate?' the man in tears
                            uttered with joy asked him straight,
'well, I had received
                            a letter from someone here unexpected,'
saying this he
                          out from his coat's pocket did bring
a piece of a paper
                          almost blank barring a few words written
in a known too known hand,
                        'I know you have gone away to a faraway land
but please for the sake
                           of all the follies and the mistakes,
come at least once,
                           now that the war had ended and peace
had been declared
                            all through the country now that there are
no more sounds of sirens
                             and alarms of wildly ringing bells,
now that all the fire
                           had been doused and buried for at least
quite a few months,
                            come to my humble house if there is any chance;'

'Oh! you silly man! how you've come
            covering thousand acres green
and a few deserts of sands,'
           said the man with a trembling voice,
'Mate,you've come right, but you've lost that choice
that girl who cared to write such a thing
                         which she never dared
                    to say to you in person
had been to the another
                          land by the dictates sent,
the land where you could
never possibly go
                           for there lives she with her friends and a hoe,
there she has settled
                           with her garden to bloom and grow,'

Ayush heard it all
keeping quiet and low

and he thought he missed nothing
     other than those deodars and rows
                        of trees that lined the way
            and that girl who had somewhere
                       kept a story tucked away.
                          

          
                 
                            

রাঙামাটি

কাশ শিউলির গন্ধ মেখে
শহর থেকে অনেক দূরে,

শারদ সকাল কুয়াশা গায়ে
কোনও এক স্বপনপুরে,

দেখেছিলাম হঠাৎ তারে
সদ্য জাগা গানের সুরে...

(ফটোগ্রাফি : মৈনাকদও)

Song bird

Grant me that sweet perennial song
O bird of delightful autumn,
Now that the world is drenched
In tunes of your music sacred,
Grant me that beauty and grace
With which you make the world-
wonderful and enchanting place,
Grant me as the time flows by-
Your winged feathered heart,
Your limitless undaunted sky,
Grant me your songs that binds
The world in music and blessed lines.

Lease of a day

If I had the song to sing for the clime
I would've sung the beauty of a day,
Spent hearing the murmur of the river
Flowing unhindered as it may,

It had been a serene lucid spot
Deodars and furs and pines where stood,
And white sculpted figures like dots
For ages where did upon human works brood,

I saw the drops of dews gathered
On leaves, pebbles and stones like gems,
I heard the chant of gigantic bells
Calling forth Nature by numerous names,

I felt the soothing calm of early morn
And the cold nip in the mild breeze that blew,
I took a splash into the lush green lawn
Where myrtles rose just beside the honeydew,

I saw in splendid tender glow
Hills distant in foliage wrapped,
I saw how in glittering snow
Big mountains like sages sat,

The smell of incense bearing trees
came to me with the call of the wild,
I thought I got another lease
To spend a day like a blessed child.

Uni -verse

There might be something
That tells us all, all the time
We can do everything we wish
But we can never lose the rhyme,

We can go north further north
Blizzards we can wear on sleeves
We can stand in the face of storm
And can write a dawn before we sleep

There might be something dear
That takes away from us all our strife
We can take the Chanukah song
and be glad with it in our mortal life

What could be of more bearing
Than to make out the pied one
Which is there in you and me
and in every grain and everyone

সাংঘাই,

কার্নিভাল থেকে শেষ ট্রেনে
বাড়ি ফেরে যুবদল
সকালের কুয়াশাছন্ন
শহর তখন বুঝি ঔপনিবেশিক যুগ ছাড়িয়ে
ক্লকটাওয়ারের হাত ধরে উঠেছে জেগে,
রাস্তায় মানুষ অগণিত চলেছে জীবন জীবিকার সন্ধানে,
প্রতিটি দিন তাদের কাছে জীবন সংগ্রাম
আর জীগ্সহ পাজেল্
মেঘলা দিনের অবসানে
দাঁড়িয়ে দেখলে তা
সাংঘাই শহরের ইতিবৃত্ত বোঝায় সহজেই।

তুমি সাহিত্য পড়ো
আর আমি আইন
যাই পড়ি কেন
আমরা , সে  তো
মুক্তির জন্যই,
গ্রন্থাগার সম্প্রসারণ ও
ত মানব মুক্তির জন্যই,
নিত্শে, ফ্রয়েড, সার্ত,
সবই ত আছে,
তারই মধ্যে
দার্শনিকের
আরেক উন্মেষ,
ওটা ও আরেক
কার্নিভাল,

সাংঘাই
নুইর্ক
হয়েছে
আর
তুমি পেলে
পারগাটরি

আমাদের বাদ রেখে।

(ডং লি অনুদিত ' Old Shanghai'  দ্বারা অনুপ্রাণিত)

হর্জে ওর্তেগা : ডুরাবিলিটি অব্ মেটেরিয়াল্স এবং ফার্স্ট কল্

ডুরাবিলিটি অব্ মেটেরিয়াল্স

পাথরটি এখানে ছিল নিশ্চিত
আমার জন্মের আগে, আমার পিতার
এবং পিতামহের, এমনকি দশ পুরুষ আগেও
ওটির অবস্থান ছিল এখানেই
এই প্লাজাতে,
সমস্ত সজীবতাকে আর বেবাক জনগণকে
সে করেছে বয়সে অতিক্রম
এই শেষ মুহূর্ত পর্যন্ত।
আমি খালি হতে পারি নতজানু
আর করতে পারি আঘ্রাণ প্রাচীন
আর্দ্রতা,
আমরা  যাব চলে আর রয়ে যাবে
পাথরটি
এ হেন প্লাজাতে
মাথা না নুইয়ে
তার নিজ অস্থির ওপর
থাকবে ঠিকই দাঁড়িয়ে
আমাদের মত ভঙ্গুর নয় সে।

হে জাগতিক স্থিতিশীলতা
লক্ষ্য করো কিভাবে ক্ষয়িত হয় সব
পাথরের সহস্রাব্দি প্রাচীন প্রলেপ
যাদের নেই ;

শতাব্দীর আলকেমিতে গঠিত ব্যসল্ট
আমাদের কান্ড তৈরী করে নি,
এই অপচয়ের আবরণে তাই
কোট আমাদের সম্বল।

কিন্তু মানুষ কি কখনো পেরেছে
করতে অতিক্রম
যা কিছু সে গড়েছে নিজ জীবন ধরে,
সে সর্বদাই বোধহয় তার সৃষ্টির চেয়ে কম সহনশীল।

ফার্স্ট কল্

কর রোমন্থন ভাষার লালিত্য নয়
যা কিছু ফেনিল
বরং তাই যাতে আছে কম্পমান আগুন
বা শিকড়ের টান।
উপুড় করে শংকু
তলানিতে আছে যা
তাকে ডাকো বালির গর্জনে
সমুদ্র যা জানে।
নাও এক গভীর প্রশ্বাস
আর দাও ডুব
আর এসে জানাও তাদের
যারা বালুতটের কাঁচে দাঁড়িয়ে
অপেক্ষমান।
অনেক কালি খরচের পরও
দেখো কেমন আমরা আজও বিবাদপূর্ণ।
তাই দূরাবস্থায় জ্বালো একটু আলো
লন্ঠনটিকে খাদের ওপর রাখো
আর খোঁজো চাবি পাথরের খাঁজে।

(এটি মেক্সিকান কবি হর্জে ওর্তেগার দুটি গদ্য কাব্যের আমার তরফ থেকে বংগানুবাদ করার একটি প্রয়াস।  স্পানিস  ভাষায় লেখা মূল কাব্য দ্বয়ের ইংরেজি অনুবাদক এন্থনি সিডমান।)

Illusory

Don't churn
Dreams of Ginsberg
Anymore Kerouac

Today I'm
fully feudal

Divided people

What's the need of
barbed wires?

অলীক

গীন্সবার্গের স্বপ্ন
আর দেখাস নে
কেরওউক

আজ আমি পুরোপুরি
সামন্ততান্ত্রিক

বিভাজন করেছি
মানুষে মানুষে

আর কি প্রয়োজন
কাঁটা তারের?

চে (Che`)

উনি আছেন
যে রকম ভাবে ছিলেন
চুরুট মুখে
একগাল দাঁড়ি

এস্প্লানেড চত্বরে
পোশাকি

যে রকমটি চাই
আমাদের
গোলগলা
ভি-নেক।

On killing fields

Mines that had been planted
Under the upper layer
Of the crust,
They could burst
Anyday

Killing fields
had made foray
Into homes
nowadays

They come not
with crops
For crops had
Become wealth of the rich

They come in different
garbs
Bayonets have become obsolete

Iron pellets are now bred
Mercilessly

Jesus of kolkata

There  was no red signal
Of prohibition
still stopped sudden
The city which so far had the speed
of storm;
Precariously held on to the road
Balancing perilous on wheels
Taxi and private,tempo, tiger embossed double deckers;

All those who raised hue and cry
And came from all sides
Labourers, hawkers, shopkeepers,customers-
They all became part of a still picture
Done by the artist, stuck to his easel;

Everyone dumbfounded
Saw how a naked child crossed the road
From one end to another;

It had rained a few hours ago
At the chowringhee;

Now the light had pierced through
the clouds
Kolkata seemed to be flooded by illusory light;

Peering out of the window of state bus
Saw the face of the sky and saw you too;

Son of a mother
Beggarly
You the Jesus of Kolkata

Stopped the traffic by your spell;

The screaming millions,
The teething and gnawing of impatient drivers
Did not deter you;

You walk through
The passage
with death on both sides,
Like someone learning to walk,

Like humanity incarnate
too glad to learn to walk
Trying to get the whole world
Within your grasp;
Like by treading trembling
you were walking from one end to another
Of the world.

(Transliteration of a poem by Nirendranath Chakraborty)

(The photo attached is taken from a daily, depicting a scene from the street of Kolkata)

Kwalkhu, a glimpse,

The alley that went away
From the chowpatty
Had houses on both sides
Their red brown bricks
Without any trace of plaster
Looked distinctively
Ancient...
The doors were big
with bolts placed diagonally,
Had those who lived inside
caught on the siesta?
But the wheels were taking those houses
away too,
And the dust and rubbles were getting settled
On trousers and hands and faces...

Kwalkhu
would be away soon,
But that memory of that alley,
That colored paper flagged one,
Would remain.

'Not all who wander are lost'

Not all
Are lost
though they
wander the most
From one end
To another,

They wander
But they don't get lost.

Some postcards...

I can say I cannot take you
To the place where I wish to go
But I can always send you
Breath of chinars covered with snow,

It is such a beautiful sojourn
To be drowned in the tenderness
of leaves forever falling soft
On the rugged earth's cold surface,

I can say I see the face of children
Not mortified by the shadows of guns
I can always send you post cards
Of larks and flock of homing pigeons.

Hiking

I would be totally wrong

If I would say I did not long

For Luke to come and call me out

For a hike through the most dense fog

The weather would be cutting through us

And we would be right there at the stop for the bus

Luke would take a swig and check on the camping gear

The mountain stream would be running close and near

Colored colony of trouts and shells

Would be visible through the greenish blue water without fail

And Luke would make a stick a fishing rod

And we would be catching more than we would've thought

And then we would grill them

And sprinkle salt 

Making a feast of what we would've got

It would be a good ol' hiking for a day

Luke,me and a fair weather of May.

(Photo: 'Painted', )

Flinty

That's the way the night
grew upon us with
meteor shower,
we stood side by side,

You told me how you loved
nights of torrential rains
Flooding the town,
how water wrote rivulets
all over you
Till they reached your feet,

I told you how nights
made sleeping morns
And morns woke blossoms

The meteorites fell
like little sparks
And flinty we became.

There's something about you

There's something about you
I forgot to tell you
Something...

Nascent like that faint smell
Of lavender
Of jasmine
And roses too...

A garden of Paradise
In short,
That I meant.

Once
the sculpted face
Fell
and with it
fell 
Our pride
Our demons

We made love after that
By the sides of our past.

(For 'Magpie Tales', photo-prompt courtesy :Magpie tales)
   

Simon's harmonica

At the porch
overlooking the valley
often whence got the chance
To get the glimpse
Of glowworms
Winging in and out
of hedges and bushes
Of flowering myrtles

I would think of Simon,
And how he blew and bent the air
Through his harmonica,

The pleasant silence
seemed to be a perfect accompaniment
To the tune that he gave birth to,
It came wafting across everything
that were around us-
The wagonload of wood at the mill
The shepherd's hut
The barn...

Simon had been a bumpkin,
'Yokel'
As some would say,
But then when he had
his harmonica
He became
the stream , forever flowing,
He became
the earth ,moist and fertile,
He became
The air, light and unburdened,
He became
The music, noiseless and serene,

Oft
Standing at the porch
I would hear Simon.

Arcadia

You are like an Arcadia for me
And I go wandering into you till
there left no more wanderings
And pastoral beauty of your soul
charms me with its innocent being,

I then become a valley
And streams of music
Dance down me.

Three and double o and more...

I have learnt this city
In my own ways-
It all started with climbing onto the bus
going to another city
crossing over the river;

It had been a delightful ride
At the terminus colored cookies came in jars at a ridiculous price-
Fifty paise for a handful;

Then there had been serpentine traffic
All through the Strand
it seemed one would take a good day's nap and wake up to another dimension
Still one would be there the same;

The florists at the bazaar appeared pretty busy
early in the morning as the baskets came from faraway places,
Their hues and cries got mingled with the thin air,

Then the big mammoth looking architecture
And the salty breeze from the river
sweeping through the hair
Of the face peering out of the window,

'How long still?'
'Not much ...only forty minutes more...'
That was the standard answer,
And creeping through the mob
We used to move,
One by one landmarks passed by us,
Some Anglican,
Some Gothic,
Some Armenian,
Some Greco-roman,

And a few hours later perhaps
Appeared half known names
on signboards,
Alphanumeric identities of places,

The city had then arrived.

Cosmopolitan

When you write about your city
selling white tin stars
assorted chocolate chips,
Pomegranate among other things
And sumac,
I think I know how language of yours
build your own homeland,
A small strip of peace
And yet
I find similar connotations of home
here -
In my city ,
Here also our footpaths are full of them,
Only some objects are our own
The rest is very much
cosmopolitan.

The musician and the General

When the General asked him
To pluck a note and pull the string-
It seemed a difficult proposition,
His fingers looking unfed for weeks
Had nothing in them to create a magic
And then all around stood derelict
Houses of his ravaged town...
Rubbles sat on minds and hearts
Of those who survived the Holocaust
And this General with stubble moustache
Wanted him to strike something...

What could be risen out of that sham?
The town ghettoed long ago had no Glam
Only furtive few notes written somewhere
Had faintly distinct a half forgotten repertoire;

Thinking all these he sat on the stool
And made an attempt to play no fool
With the board he knew like his fingers and palm...

Graded into three different steps
He put verse into the ruined build
And made a decoration with added taps
Gentle as they were till reaching the crescendo;

The General kept his eyes closed
All through the session silent as someone
Caught in between hell and heaven,

And when his fingers stopped plying
He just opened to another life
And smiled
And then gave the weary man his overcoat.

Hiatus

Take a break
From spinning the wheel
And on hiatus
Keep things,

For who knows
From that break
May arrive newer thoughts,
Replenishing.

The more I look at you

The more I look at you,
Life, the more I feel
There is no end to your wonders,
How you bind everything into your own rhythm,
How in your wings days turn nights
And nights turn days,
How from seeds grow the trees
And from trees grow seeds,
How light travels far and wide
And how from far away stars glitter
Their light reaching us after million years,
How we had trodden through struggles and deprivations
Till we caught the straw before getting drowned
Into oblivion, and risen up to see with love
And hope how the omnipotent had made our existence
A saga of its own, so magnificiently construed,
That we rarely make out if we had ourselves
Been a part of it,
The more I look at you,
Life, the more with certitude
Comes complete surrender,
Purged becomes the words
And so our being into this wonderful world,
When you make me to see beauty
In all life forms, from the minutest, the little feeble
One to the grandest and the mightiest,
I think I have been made by you
To ponder over nothing but your supreme benediction,
And I eulogise, knowing words can never fully hold
Your truest form,
The more I look at you
Life, the more with philos you drape me,
I go farthest of the far,
I come nearest to the near,
And this makes me all the more volatile,
For this works in me like an epiphany
And wonderment leaves me beseiged.

A mural

The man looked grave
And erudite was his moustache,
Thick,
Almost Stalin,

Above his head
A casement sat,
And near his hand
There were clenched fists,
They all shouted slogans,
Perhaps,

And smoke from chimneys
Stopped briefly near a flag with a star in the middle,
Before catching up with the rest of the wall,

Someone Salvadore Allende
Had been celebrated,
Presumably,

And a few paces away,
Where smell of raviolis
Filled the air,
A painted figure
Motionless sitting on a stool
Narrated the lore of Eleanora,

Facing the figure
There were faces numerous,
They had the intent of breaking out something,
In chorus,

Only
It was
A mural.

Remembering

Can't remember mother mine;
Only whilst playing
All of a sudden unnecessarily
A tune rings in my ears,
Then thoughts of mother mine
With my games intertwine;
She probably used to sing
Rocking the cradle-
She had gone away
But left the song subtle;

Can't remember mother mine;
Only when in morns of ashwin
Carried by the dew drenched breeze
Comes the fragrance of sheuli,
Then don't know why mother mine
Comes to my mind;
Probably she used to bring
Blossoms such in basket-
So the smell of puja
Comes to me as smell of mother ;

Can't remember mother mine;
Only while sitting at one corner of bedroom
Try to look out through the window
Towards the sky azure,
Then get the feel of mother mine
Staring at me simply
Like the way she
used to look at me
Many many years ago
Holding me in her arms-
She had left that stare
All over the sky.

(Transliteration of a poem by Tagore)

Summer afternoons of the yore

Summer afternoons then were full of fun,
To the terrace we would run,
Brothers, sisters and cousins,
There, beside the water tank,
Where granny had left her pots and pans,
We would savour the taste
Of her famous pickles,
With a spoon we would dig out
Pickles made of mango, jaggery and vinegar,

Downstairs, mother and aunts
Had their post lunch treat,
Of listening to plays on the radio,
And munching betel leaves,

Granny would then be taking her nap,
And at the neighbourhood drinking water tap,
There would be rows of pitchers and pails,

From the terrace we would see
Our small muffassil town,
Having a siesta under the summer breeze,

The arterial road that went to the bazar,
Had sometimes the company of vagrants,
With turbans on their heads as gears,
They looked like troupe of ballad singers,

And at the grove near the pond
Which looked like shady haunt,
Children would sometimes gather,
Like flock of pigeons, they would hop,
Till the afternoon would near
The evening's door make a stop.

meeting a barista

'Where from you learnt this?'
Asked her,
She poured the liquid into the cup,
Stirred it on the fire for a while and placed it on the small circular mat.
'Very few people know that baristas are well travelled...'
She said.
'I brought fincans from there...'
She added.
It was only nine in the morning of a holiday.
Customers were scarce.
The aroma of coffee was hanging in the air.
'That means Turkey...'
Said working on a hunch.
'Yes! But how do you know?'
'Heard somewhere that they use fincans...'
'Yeah... they do...and they use a brass coffee pot...cezve...'
'Brought one of that too?'
Asked in a jocular fashion.
'Yes...'
She replied,
'You seem to take this job quite seriously...'
Made the remark,
'That is half of the trade...'
She said,

Took two quick sips from the cup.
The smell of beans was invigorating.

'You know something, they use Arabica, and they ground them to extra fine...'
She said,
'Brought them too?'
Asked her,
'Wish I could...'
Her voice became suddenly wistful.
The bell at the door rang.
An elderly couple entered the shop.
Knowing she would soon become busy, thought of wrapping up.

'I don't know Turkey... but this one tastes superb...'
Said and looked at her.
'Flattered...'
She replied.

'Teach me one day, how to make this...'

'I will not...for then, you will not come here!'
She was pretty straight.

I guffawed.

Upon a Levone Sterling

How can I say, what the meadows sing?
What godliness those flowers bring?
And that thin silvery stroke of your paintbrush
With what benediction you create a beauty such?
Those distant hills, they seem so angelic
With what divine glow you make bright the bleak?
The sky seemed so ethereal and blue
From which palette you get that hue?

How can I say, what the meadows sing.

(The picture attached is a work by Levone Sterling)

For Auld lang syne...

Stand there, for a while,
Under the shade of the tree,
Stand there, for a while
For auld lang syne and me;

The world might be busy
Full of snarls and shouts,
But stand there, for a while,
And see the rainbow through clouds;

Stand there, for a while,
When you got a little time,
Stand there, for a while,
For auld lang syne.

Muted

'We can have our meal here...'
Prahlad said as he signalled the driver to stop the car infront of a hut.
The hut looked bigger than the usual ones
found here, only the entrance looked outlandish.
Nikita descended and the first thing that she noticed was the row of pots and pans and other household common utensils being used as pots for growing flowering saplings.They were placed side by side right at the entrance which added to the sombre beauty of the milieu.
'Welcome memsaab!'
A girl in bright red jacket appeared at the flight of steps,
'You can get our special meal today...'
The girl declared, though her voice seemed not very loud,
It still evoked a feeling of warmth and hospitality.
Nikita smiled and went in. She found the dining hall empty, barring two middleaged men  busy eating at the farthest left corner. They were talking while eating.
Nikita inspected the hall and within a few seconds decided to sit by the window
facing the road. She always preferred the window seat, for windows always open one to the world. So she carefully dodged through the tables and chairs till she reached that table by the window which had two chairs facing each other. She put her bag on the floor and sat down. The road was clearly visible and the few cars that went up or came down were also could be easily seen. Nikita looked outside and felt that though she could see the outer world through the glass window, the sound or the noise of the outer world was not coming to her. It seemed she was witnessing a muted world.
'Your order madam?'
The same girl in red jacket came with a notepad in her hand.
'Two plates of rice, two bowls of lentils, mashed potato, and chicken stew...'
Nikita ordered,
'And a plate of salad...'
Prahlad chipped in.
He had already entered the hall.
The girl went away.
Nikita looked at the only occupied table in the hall. The two men were preparing to go. One of them pulled out his wallet and placed some bills under a plate.
Nikita looked at the man. He had salt and pepper beard and his face had the suntanned look.
It suddenly occured to her that the face resembled someone's she knew.
'But how that could be... he could not be here... '
Nikita thought.

The two men were going out.
The man with salt and pepper beard and cropped hair, held his backpack by his left hand. Nikita noticed something written on the man's left arm, a tattoo.
'God! I definitely know this tattoo and ...'
Nikita thought.
The men had already gone out.
Nikita got up.
Prahlad looked up.
'Where are you going?'
'Just a minute dear...'
Nikita pleaded.
'But our food would soon be here...'
'Ok, if you are hungry, carry on, I will be back soon...'
Nikita quipped.

The two men who were on the road just outside the entrance must have heard her.
They both looked back at her.
The salt and pepper bearded man seemed particularly surprised. He stood still. His companion was asking him to take the walk down the road. But he was not moving. He was staring at Nikita.
'Ani? Are you Ani? I mean Aniruddha ? Aniruddha Sanyal?'
Nikita asked.
The man looked at her.
'No... madam... I am not Aniruddha Sanyal...'

'We still got a long way to walk...'
The man's companion appeared a bit impatient.
'O yes!  Let's go...'
Salt and pepper bearded man responded.

'How can I be so wrong?'
Nikita thought.

She was going back to the hall.
Prahlad might be thinking where had she gone.
The girl in red jacket appeared at the corner.
'Memsaab, forgive me for my eavesdropping, but you were right...that man was Aniruddha Sanyal... he had arrived here only few years ago...'

'How many years have passed in between? '
Nikita tried to remember.
Some twenty years might be, since they broke up, she and Aniruddha.

Mother and daughter

Walking up a few miles,
Copperskies whence left a distinct hue
She put her legs on the slope
And thought of lying there for a while,
The bees might be humming somewhere,
And the evening would be soon having a sweep,

She remembered when she was much younger than
Today, she had the habit of lying flat on the yielding earth
And her mother would then also come and sit by her,
She would sing songs, tell her stories, and run her fingers through her hair,

There would  be silence all around,
And those were her moments of bonding with her mom,
She would find smell of spring flowers in her,
And her songs often left a wandering tone
She would close her eyes and listen with attention rapt,
She would think that her songs might be floating
And going to faraway places, down the valley,
To the barn, where horsemen might be still working on,
From there to the small town, dotted with shops and hotels,
From there taking the road by the stream to another place...

'Gotcha!'
She was taken aback by the shout
Followed by giggles,
She turned around to see her daughter,
'Come, sit here by me...
I will sing you a song'
She said.

The final masquerade

When you would come down
In glittering black a flowing gown,
And by your eyes, covered by velvet
When you would beckon me, for a masquerade,
I would tap on the floor by my boots,
There would be, shouts, calls, and hoots,
The music would be quick and fast,
Your eyes would upon mine last,
We would be dancing to the tune,
You would spit fire and I would fume,
That would be our final masquerade,

You would by your long sharp nails make marks red,
And I would whisper in your ears words of hatred,
Then we would spin, swing and dance fast,
Your heart upon mine would thump just,
I would press you against me for a while,
You would pour on my mouth your venomous guile,
We would dance still the same,
Our masquerade, the final game.

Old age

Once met that good ol'man
Sitting on a slab of a rock,
He had crowfeet at his brows,
'How old are you?'
I asked,
He seemed short in hearing,
He said nothing,
Only looked at me with a blank face,
His dress was simple
A pair of trousers
And a flannel shirt,
His face looked impassive at first,

The day light was then dimming
And the horizon had that glow
Which many painters and photographers
Tried for ages to catch in their works,
The man seemed very much part of the scape,
And then he looked at me straight
And cleared his throat,
'I am eighty and you?'
'Half almost of your age...'
I replied,
He smiled,
'Why are you sitting here?'
I asked,
'O ...it is my daily ritual,
I come here every day,
And sit here
And watch the sunset,
And other things...
For i have got all the time in my hand
And all those which i failed to savour
In my youth, i try to understand them,
Like how this world is made
So beautiful by some cosmic force,
And how the world moves
Following a pattern of its own,
Despite wars and carnage
And bloodbath,
Everything in this world
Is perpetually following a course...
And no one, can alter it...
Is it not something magnificient?
Something wonderous?
Something evocative enough to
Cherish specially at this hour?'
The old man did not ask,
He was, i thought, making
Rhetorical queries,
Answers of which
Were not to be sought,
I thought,
And old age crept
In me.

At the back yard of your heart

At the backyard of your heart
Where you sometimes stand still,
And try to be alone with the clouds,
Singing a song perhaps, or simply
Curling threads of your auburn hair,
Give me a place right there,
I would just stand quiet
And be a part of your quietitude,
And if you laugh out loud,
I would just flash a quaint smile,

At the backyard of your heart
Where you sometimes sit back
And try to unwind yourself
Sitting on a rocking chair,
Give me a place right there,
I would just sit quiet
And be a part of your quietitude,
And if you recite a ballad lyrical,
I would do the same with you,

At the backyard of your heart...

Lost in the woods

Once losing myself in the woods
Got for the first time
The shooting rays
Piercing through
Leaves and boughs,
They fell on the ground
And also on my face,
I saw how the trees had spread
Canopy of greenness
All over the sky,
And below the earth
Had the mossy layer
Of algae,
The smell of wilderness
Got into me,
I walked through the shrubs
And bushes,
Following the trail
Made by woodcutters,
And huntsmen,
Every moment seemed
Thrilling and yet so unbecoming
For me,
For i had rarely got the chance
To shed off inhibitions of my urbanity,
And to ponder over the Creator's benediction
And equanimity.

(Posted as napowrimo , thanks to A.Koshy and the group)

Carnival

It was a big big fair
People jostled, shouted,
And balloons red red like balls of fire
Hung lucid in the evening air,

Somewhere near a counter
They sold tickets to the fairyland,
I took one, and entered,
And standing on the stage, centre,

I saw the fairies singing songs,
They all had painted faces,
They were dancing to an alien tune,
And light was flowing from their neon dresses,

The fair was huge and magical
And there saw I how wheels went
Up and then down how they bent,
And pennies saw I how from machines did fall,

'It is carnival! Boy!
Come lets dance with joy!'
I heard my friend from behind
And soon it turned a carnival,
And soon it became a carnival.

(This scribble was posted as napowrimo, to the' Rejected Stuff', thanks to Ampat Koshy)

'They grow on me like leaves...'*

They grow on me like leaves of a tree
They fill me with youth,

They fill up everything,
But when they fall
Like dry leaves
They make me look so bare,

And then they grow again,
They change shapes,
From light green to darkened one,
They change,
Sometimes they take colors of flame,
Sometimes they become hectic,
Sometimes they are so supple,

And they fall,
Dry and dead,

Luckily,
Leaves grow again
Much like
Words.

(* based on the poem 'words' by Kamala Das. The title is taken from the poem)

When it rained in one late spring

When it rained in one late spring
I woke up simply from a dream
And felt somewhere how it had melted down
Scorched up heat of the town,

I saw how in wingless forms
Poesy had left marks in norwester storms,
And in wanderings of water drops
I heard lullabies sleepy soft,

They told me i am not yet spent
They filled me with earth's moist scent
And i heard distinct one time more
The knockings at the heaven's door,

There i thought i saw her
The angel whom i always admired,
She had golden robes around her waist
And by her smile she kept me blessed,

When it rained in one late spring
I woke up simply from a dream
And felt somewhere in my ribs
The coolness of the rainy breeze,

I heard music in trembling leaves,
I saw how in rains they danced with ease,
And in their spriteful freshened glee
I made my soul from my mortal frame, flee.

Upon a revisit,

'You can go there and have a look around'
Pratap Singh said,
He was sitting at the driver's seat of his jeep,
'Okay'
I said,
And as Pratap drove away
Leaving me at the gate of the cottage,
I started walking,
The dying light of the day
Was leaving feathered forms
Over the path,
The greenery around was invigorating,
And the silence was deafening;

Taking a long breath
I looked around,
And remembered my last visit
To the place,

'There was no dearth of fresh air then also
But the cottage was not double storied...'
I wondered,

'These wooden benches...they were not there...
But there was solitude
As vast as ...
The painting of Van Gogh
Depicting a starry night '
Thought I,

Then I sat,
On one of those benches,
Putting an arm over the back rest,

'How beautiful is the moment
When the day
Hangs up its busy feet
And the indolent evening
Wraps one with nothingness...'
I wondered,

Sitting there on the bench
I tried to gather the enbalming kindness
Of Nature as emancipated in varied forms-
The foliage, the sky...
Sitting there I tried to understand
That force, that tumult, that spirit
Which had caused everything to happen,

The more I thought
The more I was filled with a sense of wonderment,
And that sense of wonderment
Seemed to me inexpressible,
Absolutely inexpressible,

'Still sitting here?'
I heard Pratap
Hollering,

'When you have come back?'
I asked,
'Some ten or fifteen minutes ago...come , let's have our dinner...'
Pratap said,

Post dinner, Pratap lit up his customary cheroot,
And as he left miniature cloudy forms,
I sang...
'Starry starry night...'

Pratap nodded, closing his eyes, relishing the song
And I sang releasing myself...
I sang as I wanted to be part of the beautiful night,
I sang because I probably wanted to make the night beautiful,

And Pratap just smoked and listened,
For he wanted to be my listener,

Last time when I came to the place
The cottage was just the same,
It was not double storied though
And Pratap Singh was younger then,
And I too had that youthful hue,

Then, too, we had our post dinner sessions
Of songs and conversations,
And then too, those late evenings
Had that agelessness.

On a composition of Brahm

What had made Brahm to compose
Such a tune, with such poise?
What comforting idea made him
To put music into such a rhythm?
What inexpressible thought
Had he tried to fathom?
What soothing calm, what solace
What intervention of musical grace
What pursuit? What search?
Into what restive state did he submerge?

If had i been gifted one millionth part
Of the idea that he had unearthed
I would have made one for you
And for all to have a better view
Of life and the world too.

Living, a shepherd's life,

Long long ago
There lived a shepherd
Just at the foot
Of the hill,
He had no worries
Or cares,
All he knew
That he would have to
Wake up and take
The sheep for grazing,
And his life had no other meaning,
He would do what every shepherd should,
And at the end of the day
When the shadow of the hills
Would be dancing down the slope,
He would return to his humble cottage,

There he would tend the flock,
And after having a meagre meal,
He would sit at the cottage door,
And watch the night sky,
Full of twinkling stars,
He would count them,
One, two, three, four, five, six...
Till sleep would come all over him,

The nimble soothing air
He would take to sleep,
Only to wake up the next day...

He had no aspirations,
All he believed was in living in peace,
And the square meal he had,
He thanked the lord for that,

Sometimes, early in the morn
When he would go out
He would watch the trees,
They looked sleepy and quiet,

The quietitude would then
Seep into him,
He would feel
That he had got merged
With the silence of the place,
Everything he felt
He got within him,
The distant murmur of the stream,
The calls of unknown birds and animals,
All he thought he got
As a part of his existence,

Thus living,
The shepherd boy
Almost became a part
Of the setting,
So much so
That he oneday realised
He had no wish other than living.

Tublu

Have you heard of Tublu?
That boy curious,
Who would every afternoon
Come to my room
And if he would find me
With pens and pencils a bit busy,
He would say nothing,
But crane his neck to see
What I would be doing,
At occasions, he would stop
And on my works he would drop,
His comments, engaging,
'What do you mean when you say
Storms have taken buds away?'

I would just smile at him,
And indulge in his remarks knowing
Tublu only can make me feel
How wonderous is the world still,
If seen through his eyes,

Sometimes Tublu would ask me
Impossible queries,
'Who has created this world?
'Why are we here?'

I would think hard to find
Answers that could fit into his mind,
'God has created us,
And we are here
Because of Him'

'Who is this God?
Can I meet him?'
Tublu would ask,

'Sure, if you remain what you are,
Innocent and pure,'
I would tell him,

He would think for a while
And then suddenly runaway to bring
His box of toys, broken things,
A cart, a wheelbarrow, a telescope,
A drummer, a plastic soldier, a case of soap,

And I being guided by
Tublu, would play,
Till the afternoon would turn
Into evening
And the streetlights outside
Would glow,

Tublu would then
Wrap his things up
And before he would go,
He would flash his smile,
And tell me, he would again come,
The next day,
Keeping me
Waiting.

Of some deaths, and Icarus,

'Of some deaths,
If death I embrace,
Let that be,
Like the death
Of Icarus'-
Once read
In a man's chapbook,
Littered among many things,

From then on,
I took off,

The wings of poesy,
I passed on
To the next one,
And only prose
I chose.

Where all those songs gone?

Where all those songs gone?

Songs simple and without sarcasm,
Songs that can fill life with life
Instead of breaking things with strife,
Songs that can make one happy,
Songs that inspire, vibrant and sappy,
Full of colors, not grey and post modern
But those which can lead one
To believe there are still roads ahead
To traverse, without dread,

Where all those songs gone?
Songs of breaking morn?
Songs full of love and care,
Songs without hatred and fear?
Songs that can hold the world
And stop it from falling apart?

Where all those songs gone?

Hundred days..

'It would be said so
For hundred days the land was not mowed'

Said the panch to the gathering
Who asked what could be done

To find grains in grains again,

'It would be a tough ask'
The panch replied,

'For it would be said so
For hundred days
The land was not mowed,'

'Call the farmer to the ground
He must be held and bound

For hundred days he did nothing
Only slept and did not till,'

What a waste, what a waste
Would be the cry from east to west,

He had left it high and dry
He had failed to properly comply
With the dictats that would've required
Courage more and something sagacious
And theories of everything rightly fitting there,

The farmer wished he could answer them all
With answers really long and really tall,

But how could he really tell
How hundred days he felt like being chopped and felled,

And it would be said so
For years to come and years to go,
For hundred days the land was not mowed.

Visage of a twilight

Floating across the horizon
The visage of the twilight
Brought silhouettes ephemeral,
Wrought in hues emblematic,
As far as the eyes could behold
There was an expanse of a country
Getting slowly merged with the mist,
Apparently blurry the sight had the evocation
Of an evening unmistakably benign,
Adding to the tenderness of the air,
There was a descent of silence
Befitting gothic semblance.

Pictorial...

Just like a scene bound by frame
The tramline crisscossing the lane
Had gone away till it had bent
Near the single file seemingly of an apartment,

People of the town could be discovered
In shawls, sweatshirts, pullovers,
Some were walking to the bazaar,
Some had the resting indolence,

The roadside benches had their fill
Old age had come there to kill
All the time that had been left spare,
With wrinkled faces and webbed brows,

A row of trees dotting the pavement
Company to the electric posts lent,
Just where a tibetan shop newly opened
Had queue of connoisseurs for exotic items,

The park nearby seemed like a fair,
Panipuri stalls having business brisk,
And candyfloss were held by little hands
Like cotton balls at the end of sticks,

Just like a picture, bound by frame...

At the day's end...

'Corns brought home for poppin'
And the cold outside is just not stoppin'
Ain't it good to be at home this night?'
The father asked his kid, smiling still alright,

The kid had just from a sweet short nap awakened,
His smile had lit the night that broadened,
'But the cold is what made us cozy here,
Can't you get the mild wintry flow in the air?'

The kid made a revert, his eyes full of innocence fair,
'Yes,' the father put his hands on the little one's head,
And then he put the bridge's pin on the disc's lead,
To make an unwinding return for both of them,

To find a meaning at the day's end
Much like a prayer they a song gained.

Night train

Like a long sentence slipping off sluggish
The train whistled through the mist,
And smell of coca piping warmth
Came and sat on lips,

The window glass had gathered
Dewy existence lucid,
And songs and verses
Played through ribs,

The swinging motion
Had caught a rhythm
By then, the rattling
Sound made a poem,

And the world it seemed
Had gone to sleep.

Till then,

Soon there would be fabulous
nip in the air and mist would soon
Envelope empty spaces betwixt us,
Till then come we commemorate
The Fall with our songs and masquerades.

a spell of rain and twilight

after a spell of rain
twilight came,

surfeiting so
that a poem
thought I
made a surge,

across the indefinite
October sky,

knowing the moment
would soon away fly,

dipped the self and the eye
into the grandeur of life,

it was no doubt a deliberate act
to getaway from all oft beaten tracks,

it was no doubt a formidable task
to catch the colors of a sobered dusk,

the same colors that had made several
to sing with ease for the long lost grail,

the same feeling that had made one too many
to find in prosaic things forgotten epiphanies,

after a spell of rain
the twilight came
surfeiting so.

Who can more blessed be?

Who can more blessed be than us, mate?
The morn hath broken free in us, of late,
Through the mist of the city that sleeps embowered
Into timeless elegance of Love that took over
Us all the time, this season of wonderous spectacle,
Who can more blessed be than us, tell?
We can rise to the morrow of our own wanderings
We can with throatful ease cause the spring's second coming,
We can sing as sings the nightingale within us,
We can hold the fabulous time and let it not pass,
Who can more blessed be than us?
Whence we can pour inkful hearts by music thus?

Colloque

Can't give away anything
Other than those simple colloquial things,

A tranquil presence of unstirred hope,
A garden green, a mountain slope,
A bunch of nameless wild flowers,
A flight of birds through lighted showers,
A stream murmuring its way through a forest
A spectacle serene by calm of heart blessed,

Can't give away anything
Other than those simple colloquial things.

On leaves and dews

To that hues of leaves
Take me once,
Just for once
Let me there ruminate
For every leaf I wish to see
Turned flowery,
For on every leaf
I wish to see
Drops of dew
Emerald.

Sing the song of mirth*

Sing the song of mirth, heart
For the autumn has brought home the guest;
The silent words of sky azure
The dewy longing which lures
Today in strings thine sing so pure;

Come take part in songs
Of fields filled with corns,
Be afloat in the rivery flow
Of tuneful water so;

Take a look at autumn's face
And let that keep you blessed
And then keeping the door open
Go out and life embrace.

(* transliteration of song number 38, Gitanjali,)

Come away to the wish of Aedh

Come away
To the wish of Aedh*
Where the breeze of autumn
Would cares of the world
Like leaves drop and sway,

Come away
To the wish of the reeds
Where words take away
All the ills of the world
Like music of a day,

Come away.

(*a mythical persona, commonly associated with Irish poetry )

Sillary

Left there a piece of me
Near somewhere Sillary,
Where the green slope of hill
Met a flowering valley,

Left there a piece of me
Near somewhere Sillary,
Where the trail disappeared
Into the woods foggy.

For that pilgrim soul

For the pilgrim soul
Once took a travel
To that road trodden
By men taking the flint
Of a burn,
The road was winding,
Long and to glowing heart it turned,

The visage of mossy trees
And smell of rhododendron
Filled the misty breeze
And the stave helped the climb,

The dustless air and the oxygen
I took within through the veins,
And the faint sound of copper bells
Remained suspended onto the soul,
Much like a verse auspicious,

It perhaps was a freed state
Filled with a vigour to get near
The cliff where rested in the most tranquil shape
Godly sense of a merger with the benign Self,

And what strange occupancy
Took hold
Could never in any words written or told
Only a glimpse of finding presence
Of serenity overwhelming
Took refuge in me.

By Catullus

Could not go to Libyan sands,
In search of time's hands,

But in nightly dews
I find you, Catullus,

In countless stars,too,
Sacred as they are,

Twinkling from far,
several light years,

And in ancient words,
Which tend to crawl, inwards.

revasseries, autumnal

Thou art such a wonder
that thou can claim
all by thy name,

and I continue
to gather dews on palms,
mist on eyelids,
fleecy clouds on heart,
and kites soaring in mind,

and they all tell me
thou art here, deified.

be not at rest,

be not at rest, heart
for there is more
that you can possibly unearth,

there is more
always like everytime
and staggering lines
are more there in you,

be not at rest, heart
for there is more
than you can mend,

there is more
always like everytime
and pentup lines
are more there in you,

be not at rest, heart
for there is more
till the road to horizon bends.

remembering Nanceylla

remembering Nanceylla
is like going to that place
where the morn sings peaceful chants
and the breeze tolls the bells,

and I remember catching the girl
standing on the staircase looking at me,
"Going out?" she would ask
Her eyes filled with curiosity,
"yes" I would have nodded,
And she would just yell
"I want to go out too!"

remembering Nanceylla
is like walking up a slope,
and the morning mist and fog
draping the hills, and life taking a sprint,

"yepee!" She would burst, exclaiming
finding a cone of pine amongst
fallen twines and twigs,
a wood nut tree dressed in algae and a sudden sighting of a monastery,
and smell of incensed leaves,

remembering Nanceylla
is like living another life,
free from cares and meeting
the children of a paradise.

The song of the world *

Across the world in tune generous
            Song of mirth soars
When will that song in
            Depth of heart ring ,
Only the Lord knows,

The air, water, sky and the light
When will love them the best,
They will take seat on heart allright,
Wearing varied colored dress;

When will open eyes
To fill the mind glad
Will take path thine,
Leaving none sad,

That You art there
When in life that will sing,
Thy name will in every work
Only happiness bring.

(* a transliteration of song number fifteen, Gitanjali, by me, a tribute to R.Tagore)
                  

upon grains of sand

'con amore...'
nimble fingers wrote
on white sands,
knowing the ocean would upon them land
and take'em away
in the name of transience.

Such a humbling morn

And there are some morns,
So humbling,
That one has nothing to say,
Only wordless one stays ,

And watches how
Grace hath blessed
The awakening,

And one just prays.

Painting an autumn morn

That painting of an autumn morn
Where we were blown away borne
By the breeze of a day, I think we outdid,

You meditated upon the swirling waves
And I looked quiet sun grazing a street,
You told upon the season, by your truth,
I humbled by the silent song colored
All our times with ballads of country love,

You opened your palm to catch the nascent dreams
I enveloped my heart into the folds of clouds
And together we made the day panoramic,

That painting of an autumn morn
Where we were blown away borne
By the breeze of a day, I think we outdid.

Lucid morn

The breeze of the morn
When swept through me,
I opened my sleepy eyes
And the rustling leaves I heard
And the sky I met only to see
How the Lord hath never failed
With us and our eternity.

A few words written on missing a station...

I still miss that station stop,
The station where I had perhaps dropped
A few peals of laughter strong
And crystal watery forms,

That reddened streak on the clouds
Visible ,so heartwarming a thing,
Right from the platform vacated by the train
Puffing away, I still that miss, an enchanting scene,

And many more, countless moments, unworded,
Never to be put into any series of numerical expressions,
Nor into any language profaned by running of alphabets,
I miss them in blood, in veins,

I miss that station stop
Where  I  had perhaps dropped
My holdall on the dust of a few hundred years,
And sat quiet only to gather on heart the crimson light.

Never losing thou,

'Never losing thou'
Was the thought that i took
As a vow,
But it is a grinding time,
My words have taken the plough
And they do nothing to me,
They keep silent shape,
They are stilled,

'Where are they?
Those little children
Who with supreme innocence
Spent the day
Playing under the sky
With no cares of life?
Where are they?
Had they gone away
To another land?
Had they forgotten their jovial selves?'

Asked myself,

And answers i thought i had,
Long before the time arrived,

And then i did not look far,
I looked at the greenery around,
The godly presence of our ancestors,
Their works, their harvest,

And i at once put things at rest,
The unsettling thoughts,
I took plunge
Into  silence,

For there resides
Thy providence.

Hope springs eternal

Hope springs eternal
And so does everything
That's why we are here
To ring in us a meaning,

Otherwise it would've been
A blasted heath, a wasted course,
Hope springs eternal
And that is life's sole discourse.

We will forever sailors be,

We will forever sailors be
Till in us we will find the sea,
And the voyages will be our ways
From the sleepy nights to the wakeful days,

Storms will call us to rise
Gales will buttress our lives,
And we will forever sailors be
Till in us we will find the sea.

In absentia,

In absentia, by those molecules of water in the air
I think I get the smell of thy spatial frame,

The way you cross all borders, corridors, lanes,
The way you travel through all lands and seas,
The way you move, trespassing the fences ,
And those lands which had supernatural corns,

In absentia, I think I own thy presence.

(Based on 'simanta' , a bengali poem by Sankha Ghosh)

The homecoming

Stood he infront of the facade
Yellow was it with a pinch of green and red,

Got the old view of some trees,
They are there still after so many years,

And
      Ah!
          the sweeping breeze,
And
     Ah!
         the sweeping breeze...

Have a walkaway

Have a walkaway

                                     To the rains, the cloud, the mist,

For the world is there as it is

                                     The way it was formed, unperished,

Have a walkaway

                                      To the saintly  hills and salty seas,

For the world is out there as it is,

                                       The way it was formed, unblemished,

Have a walkaway
          
                                      To the sunshine glittering on leaves,

For the world is out there as it is,

                                       The way it was made, like a bliss,

Road to Pedong,

I remember distinct
The road to Pedong,

It had slopes of green
On one side and little huts
On the other, with glass windows
And flowerpots,

A basketball court,
A slanted ground,
A sculpted figure,

A fenced yard,
Olive four by fours
Motionless, part of the scape,

And then a bazaar
With smell of spices
And incense,
And little trinkets
Hanging loose in the air,
Copper armlets, ethnic wear,

A bend where stood a tree
Nameless with blossoms,
A manifestation of tranquil pleasure,

And soothing solitude
Unscrolled all over the dome of sky,

A visible top
Of a stupa glistening quiet,

I remember distinct
The road to Pedong.

That freedom, lord, let there be,

That freedom lord,
Let there be,
Where we all will be free
From those ills
That bleed adversity,

That freedom, lord,
Let there be,
Where we can rise to see
Each other as mere dots
Compared to Eternity.

Mortal and the immortal

Once,standing at the fringe
Of a hill, touching the sky
Mortal frame discovered I,
Then dawned on me
Immortality thine.

Euterpein

Blow thy aulos Euterpe
And make me sing all the way
songs which eternalise
bow of rain which fills the sky,

Make me part of your grandest art
That takes in all in one cart,
The songs, the music, the paints,
The lyricism of monsoon rains,

Blow thy aulos Euterpe
And make me travel all the way
Like You hath made Strymon once
To flow unhindered from Olympe,

Make me wonder and gape
How from throat songs escape
which can never one replicate
Teach me thy songs of Heaven's gate.

Cinzas

'Play the Cinzas!
One more time for us!'
The mob shouted in chorus
To the man sitting on stool,
He had his guitar hanging cool
And the fretboard glistened under the spot,

'Hey! Play the Cinzas
One more time for us!'

Their cry reached his ears
And he lumbered back to those years
Kept in chambers of his heart
Under the thick layer of dust,

He picked up the tune
Washed it under the drops of rain
And blew a whiff of air to clean
Little ribs till they gleamed,

Cinzas , he did begin
like little waves slow
That one another follow,
Under the glittering sky,

Cinzas, he made to fly
From the copper strings
To make the whole bunch
Sobered and filled to the brim,

How many minutes it did last
He had no idea just-
It seemed the parlour had turned
Into a pool of water that drowned
All the cries of the outside world,

Cinzas , he unfurled
One time more
Cinzas, he spread
Till it poured.

Song for an obadiah

If am i to sing a song
As good as the night calm and long,
If am i to hold the shore
Of sands that come so near the door,

I can turn to you, O Obadiah,
For You hath made me to spare
All those little things i lost on my way,
The flowers blooming plentiful and gay,
In valleys green,charming and bright,
In mountain forests, mildly embracing light,

If am i to put words in rhyme,
As good as the dawn pure and quiet,
If am i to find the essence of clime
In the gentle ripples of water at my side,

I can turn to you, O Obadiah,
For You hath made me to spare,
All those little things i gained on my way,
The stretched full up flamingo wings  of a day,
In the midst of an ocean vast, blue and wide
In the waves mirthful, dancing in tune of a tide,

If am i to sing a song
As good as life to which one can belong,

I can turn only to you,
O Obadiah.

Sky full of leaves

Stand still under the sky

Full of leaves

And gather how

 from foliage drips

Colors of rain.

(The still attached is titled 'foliage', a work by Koentjero)

Before I set on...

Before I set on
To another journey long,
Wish I could have made a piece
With reeds of notes at fingertips,
Wish could have strummed the string
And hummed a few last lines
That could have burst waterlilies
with hues of extraordinary shine,

Before I embark on
Another journey might be long,
Wish could have blown the air
Through the pipe like a piper true
Wish could have taken a few
Grains of moments as honeydew,
Wish could have rested legs on the bow
and made the wind to take the oars,
Wish could have consecrated a tune
To the leftaway golden shore,
Wish could have gazed at ease
How through space life flows by,
Wish could have sung a song
To the earth, the sea and the sky.

Lilacs in the sun

Get me where lilacs bloom
Aplenty like a deluge,
in the sun where they turn
The world a canvas huge,

Get me where lilacs bloom.